The Urban Scene: Race, Reginald Marsh, and American Art by Carmenita HigginbothamThe Urban Scene: Race, Reginald Marsh, and American Art by Carmenita Higginbotham

The Urban Scene: Race, Reginald Marsh, and American Art

byCarmenita Higginbotham

Hardcover | January 21, 2015

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In The Urban Scene, Carmenita Higginbotham offers a significant and innovative reassessment of the ways in which race is deployed and read in interwar American art. By focusing on the works of urban realist Reginald Marsh and his contemporaries, Higginbotham explores how black figures acted as substantive cultural and visual markers in American art and embodied complex concerns about the presence of African Americans in urban centers. The book breaks from previous scholarship that insists interwar American art employed racial types primarily to emphasize the inferiority of blacks. Instead, it reframes the interchange between Marsh’s pictorial language and prevailing representations of race in American art and visual culture to explore negotiations over urban space and constructions of national identity in American Scene painting. The Urban Scene is significant for its consideration of the intricate ways in which dominant culture adopts and disseminates black representation and how aesthetic and representational strategies operate within broader social and political tactics to regulate urban blacks.

Carmenita Higginbotham is Associate Professor of Art History at the University of Virginia. Carmenita Higginbotham is Associate Professor of Art History at the University of Virginia.
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Title:The Urban Scene: Race, Reginald Marsh, and American ArtFormat:HardcoverDimensions:224 pages, 10 × 8 × 0.87 inPublished:January 21, 2015Publisher:Penn State University PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0271063939

ISBN - 13:9780271063935

Reviews

Table of Contents

Table of Contents

Contents

List of Illustrations

Acknowledgments

Introduction

1 The Urban Artist

2 Reading Public Spaces

3 Girl Watching in the City

4 The Art of Slumming

5 Seeing Poverty

Epilogue

Notes

Bibliography

Index

Editorial Reviews

“A fine addition to our understanding of race (and gender) as elements in the artistic representation of urban America.”

—David M. Sokol, Journal of American Culture