The Very Thought Of You by ROSIE ALISONThe Very Thought Of You by ROSIE ALISON

The Very Thought Of You

byROSIE ALISON

Paperback | June 12, 2012

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England, 31st of August, 1939

The world is on the brink of war. As Hitler prepares to invade Poland, thousands of children are evacuated from London to escape the impending Blitz. Torn from her mother, eight-year-old Anna Sands is relocated with other children to a large Yorkshire estate opened up to evacuees by Thomas and Elizabeth Ashton, an enigmatic childless couple. Soon Anna gets drawn into their unravelling relationship, seeing things that are not meant for her eyes - and finding herself part-witness and part-accomplice to a love affair, with unforseen consequences.

A story of longing, loss and complicated loyalties, combinging a sweeping narrative with subtle psychological observation, The Very Thought of You is not just a love story, but a story about love.
Rosie Alison grew up in Yorkshire and studied English at Keble College, Oxford. She spent ten years directing television documentaries before becoming a film producer at Heyday Films. Alison is married with two daughters and lives in London.
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Title:The Very Thought Of YouFormat:PaperbackDimensions:320 pages, 8 × 5.18 × 0.86 inPublished:June 12, 2012Publisher:Doubleday CanadaLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0385670540

ISBN - 13:9780385670548

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Reviews

Rated 4 out of 5 by from A must read side of WWII On August 31, 1939, Anna Sands and her mother are spending a final day shopping for supplies and having a few treats before Anna is evacuated from London. It is the eve of World War II and thousands of children and being separated from their families in an effort to keep them safe from the anticipated bombings. It is days later when Prime Minister Neville Chamberlain's declaration of war. For several years Anna lives at Ashton Park, a large manor house north of York. There are over 80 children bordered there. Thomas and Elizabeth Ashton opened their house to the children as they don't have any of their own. Possibly they hoped to heal those wounds by having so many children living close at hand. Over the four plus years that Anna lived at Ashton Park she formed a bond with Thomas and one of her teachers. That bond stayed with her and overshadowed her activities for the rest of her life. This story explored a page of history that I knew very little about. It was interesting to read how the Ashton's responded to the 'invasion' of their private home and how Anna adjusted to living away from her mother. I would have liked to hear more about how the other children adapted. I suspect that there were many who didn't do well and that there were others who thived in such a situation. Most of the time while reading this book I thought it was pretty good. As I got closer to the end the tears kept pouring down my cheeks. I found it all very emotional. That's me, I'll cry at almost anything. I don't think that neccessarily makes it a better book but it did make the ending memorable.
Date published: 2010-06-28

Read from the Book

1London, 31st August 1939  There was a hint of afternoon sunshine as Anna Sands and her mother Roberta stepped off their bus into Kensington High Street. To Anna, the broad street flickered with colour as shoppers flowed past her, clutching their bags. Beyond the crowds, she could see the parade of shops tricked out with displays of every kind: tins of toffee, new-minted bowls and cups, rolls of ribbon, hats, coats and gloves from every corner of the Empire. Mother and daughter set off down the wide pavement, Anna swinging her arms, always a little ahead. But she kept crisscrossing in front of her mother, as if uncertain whether to turn and hold her hand. For tomorrow, early, she and thousands of other children were to be evacuated from London – “In case of German air raids,” her mother had told her airily, as if this was a standard routine for all families. “Once this crisis is over, you can come straight home again,” she had explained. Anna was looking forward to country life – or seemed to be, when asked. There were things to buy for the journey, but Anna’s impending departure hovered between them and lit every moment with unusual intimacy. Roberta’s nerves and Anna’s excitement meshed into mutual high spirits as they strolled through the penny arcades, just for the fun of it, before reaching Pontings, the famous drapers, with its fluted pillars and white-iron galleries. This was Anna’s favourite shop, an Aladdin’s cave of coloured cloths and trimmings, laden with rolls of silk and swathes of damask. On the ground floor, beyond the hanging boas, she chose herself a white handkerchief starred with violets. “Thank you,” she said, kissing her mother. While Roberta queued to pay, Anna glanced upwards to the bright atrium above, where sunshine streamed through the stained-glass flowers in rays of coloured light. Anna’s eyes swam around the shop, with its reams of ribbons and baskets of glinting buttons, brass, silver, mother-of-pearl. The sounds of the shop receded as the dream light washed through her until, for a moment, she vanished from herself. “You can carry your package, my darling,” said her mother, breaking her reverie. Anna sprang to attention, and was the first out of the shop, planning the next purchase. At Woolworth’s they bought a small cardboard case and luggage labels for Anna’s journey, then they crossed the road to look for shoes. Shiny brown lace-ups they bought, at Barkers. They smelt new and luxuriant. They reminded Anna of her father in his uniform, with his big black boots. She and her mother had seen him off a month ago, just after her eighth birthday; he had swung her right round when she hugged him goodbye. Sometimes he sent her letters with funny drawings, describing his army drills. She wasn’t really worried about him, because it was common knowledge that most of Hitler’s tanks were made of cardboard. “Britain has the greatest empire in the world, so the war won’t last long,” she announced to the bespectacled lady who fitted her shoes. Then mother and daughter were out on the street again. It was time for Anna’s promised treat: a knickerbocker glory. She had seen American films in which children sat at counters, with ice creams in tall glasses. That was her dream. Roberta led the way through the art-deco splendour of Derry and Tom’s department store, along lavish blue carpets, whisper-quiet, until they reached a wall of lifts and stepped into a cool chamber of copper and nickel. “Fifth Floor, ladies and gentlemen, world-famous Roof Gardens,” chanted the liveried lift boy. The gardens had opened with much fanfare a year ago, but they had never visited: it was too dear. But today was special, and they emerged to glittering sunlight amidst the rooftops of Kensington. Before them, a profusion of flowers stretched away on every side, out stripping all their hopes. There was a Spanish garden, with a terracotta Moorish tower, and tumbling bougainvillea. Beyond, through a winding courtyard, they found themselves in a water garden of lily pads with a hint of gleaming carp. Another turn took them through dainty Elizabethan arches with climbing roses. They found their way to the café, with tables set out beneath striped umbrellas, and a fountain tinkling nearby. From the tall menu Anna picked her ice cream with care: vanilla and chocolate, topped with cream and cherries and nuts. To her mother’s relief, she did not seem disappointed when the towering confection arrived. A small palm-court band played familiar melodies, muting any sound from the streets below. The unreality of the place and the peculiar occasion of their visit only increased their light-headed pleasure in each other. “Before today, have you ever sat in a garden in the sky?” asked Anna. “Never,” laughed her mother, “nor would I want to, without you here too.” “When I get home again, can we come back here?” “Of course, sweetheart.” “With Daddy too?” “For sure,” said Roberta, and clasped her daughter’s hand. Later, when the ice cream was finished, and the teacups empty, and the garden’s secrets all explored, they set off together, subdued, for home. It was not until they reached the store’s entrance lobby that Anna admitted the one shadow lurking over her day: she had no bathing costume. Anna had seen the newsreels about evacuation, and they all showed children travelling westwards, to the seaside, to Devon and Cornwall. She longed to join them, but feared that with all they had spent today a bathing costume would be one item too many to ask for. “But how will I swim?” she blurted out. Roberta paused to hear her child’s fumbled request, and knew at once that she must keep this afternoon intact, not scupper her daughter’s hopes. Back to the lifts they went,and up to the sporting department. With abandon, Roberta spent two shillings on a blue striped bathing costume, and saw her daughter’s face shine with pleasure. It was more than she meant to pay, but it perfected the afternoon. Then they set off for the underground station, united in satisfaction. As Anna skipped ahead, Roberta rejoiced in her daughter, knowing that she was bright and resourceful, with an uncluttered face easily lit by smiles. That tiny gap between her front teeth gave her a frank charm. They clattered down the station steps, Anna always in front. A train rolled in and opened its doors, and passengers stepped past them. Suddenly, on the half-filled platform, Roberta found herself brimming over with love for her straw-haired child. “Anna—” she said, and Anna turned, her eyes bright and clear. In that instant, Roberta sensed the spontaneous rise of her daughter’s soul, which had flickered to life in her eight years before. She reached out for her daughter and held her fast in her arms. For a moment, they could feel each other’s heartbeats. “I love you, my darling,” said Roberta, stroking her daughter’s hair. Anna looked up at her mother with unblinking eyes. In the years to come, she would remember that fragile day, its touchless light, their quiet elations.

Editorial Reviews

"Melancholic, mysterious and heartbreakingly gorgeous." — The Times (UK)"Rosie Alison's debut novel grips from start to finish. . . . Alison writes with a real understanding of the period and true compassion for her characters and the plot develops in unexpected and often shocking ways. Without question one of the best debuts I've read in recent years." — John Boyne, author of The House of Special Purpose and The Boy in the Striped Pajamas'Enjoyable . . . moving . . . A sincere attempt to depict the reverberations of war - chronicling fractured relationships and the inability to love in the right way. . . . Anna is a likeable and memorable heroine.' — The Guardian (UK)'Elegantly constructed, with a plangent dying fall of a twist in the final scene.' — The Telegraph (UK)