The Woman in White by Wilkie CollinsThe Woman in White by Wilkie Collins

The Woman in White

byWilkie Collins

Mass Market Paperback | April 1, 1985

about

“There, in the middle of the broad, bright high-road—there, as if it had that moment sprung out of the earth or dropped from the heaven—stood the figure of a solitary Woman, dressed from head to foot in white garments.”

Thus young Walter Hartright first meets the mysterious woman in white in what soon became one of the most popular novels of the nineteenth century. Secrets, mistaken identities, surprise revelations, amnesia, locked rooms and locked asylums, and an unorthodox villain made this mystery thriller an instant success when it first appeared in 1860, and it has continued to enthrall readers ever since. From the hero’s foreboding before his arrival at Limmeridge House to the nefarious plot concerning the beautiful Laura, the breathtaking tension of Collins’s narrative created a new literary genre of suspense fiction, which profoundly shaped the course of English popular writing.

Collins’s other great mystery, The Moonstone, has been called the finest detective story ever written, but it was this work that so gripped the imagination of the world that Wilkie Collins had his own tombstone inscribed: “Author of The Woman in White.”
William Wilkie Collins was born in London in 1824, the eldest son of a successful painter, William Collins. He studied law and was admitted to the bar but never practiced his nominal profession, devoting his time to writing instead. His first published book was a biography of his father, his second a florid historical romance. The f...
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Title:The Woman in WhiteFormat:Mass Market PaperbackDimensions:800 pages, 7 × 4.2 × 1.3 inPublished:April 1, 1985Publisher:Random House Publishing Group

The following ISBNs are associated with this title:

ISBN - 10:055321263X

ISBN - 13:9780553212631

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Reviews

Rated 5 out of 5 by from One of My Favourite Mysteries I read this a few years ago -- I loved the plot of the story! Very gripping -- the plot doesn't let you rest. You'll want to keep reading until it's done. And the story won't leave you so easily. I find that retelling it works pretty well as a camp fire story, too.
Date published: 2017-11-11
Rated 5 out of 5 by from Love This my favourite story so far. It is a dense book but it is so enjoyable it feels short. It was ordered online and come in pristine condition. Worth more than the price.
Date published: 2017-10-05
Rated 5 out of 5 by from Penguin Clothbound Edition This edition is stunning! Gorgeous addition to my bookshelves.
Date published: 2017-08-21
Rated 4 out of 5 by from Incredible I was assigned this for my english class and i greatly enjoyed it. It was enticing, entertaining and down right enjoyable. A great read
Date published: 2017-07-23
Rated 4 out of 5 by from one the first mystery novels Collins novel; the Woman in White is credited as being among the first mystery novels written. It is a beautifully written book with a great story. Worth the read
Date published: 2017-06-13
Rated 4 out of 5 by from Great stroy!! Classic! Such a beautiful edition! Looks great on any bookshelf too!
Date published: 2017-04-15
Rated 5 out of 5 by from Great mystery Thoroughly enjoyed this story. Lots of twists and turns to keep you guessing. The use of multiple narrators to lend credence to each of their stories is effective. Which are the unreliable narrators? Is anyone telling the truth? It will keep you on the edge of your seat.
Date published: 2017-03-31
Rated 5 out of 5 by from Great Mystery This book was originally published England as a newspaper serial. It was so popular that it then came out in novel form. it is considered one of the first detective stories and the forerunner of modern detective stories. The plot revolves around the search for a mysterious woman in white and everything flows from there. To say anything more would be to give the story away. the story is very detailed and takes lots of twists and turns. A masterpiece of mystery and suspense.
Date published: 2017-03-14
Rated 5 out of 5 by from Beautful Edition!! Stunning clothbound edition of this classics!!
Date published: 2017-03-13
Rated 4 out of 5 by from I was impressed I was impressed! I mean, a book written in 1859, who knew it was going to be one of the best mysteries I would ever read? The book started a little slow, but then, the mystery and thriller elements engross you. I would have given this book five stars, but I thought the ending was a bit weak.
Date published: 2017-02-25
Rated 5 out of 5 by from Classic! This is a classic Dickens-era novel. It starts off slow and reading is a bit of a slog, but it picks up after the first couple of chapters. An exciting mystery with some very well-written characters, including utterly despicable villains of the finest sort.
Date published: 2017-02-19
Rated 4 out of 5 by from Classic! It's a book which keeps you alert to find the solution and answer to a mystery.Read and enjoy !
Date published: 2017-01-27
Rated 3 out of 5 by from Worth reading The Woman in White starts off slowly, but picks up its pace a few chapters in. Marian is more likeable and interesting than the protagonist's love interest.
Date published: 2017-01-14
Rated 5 out of 5 by from Classic This is a classic mystery novel - perfect for those who can't decide whether to read Dickens or Conan Doyle next.
Date published: 2016-11-25
Rated 5 out of 5 by from Don't miss this one The suspense held me right to the end , one of the best I have read
Date published: 2014-10-02
Rated 4 out of 5 by from Mystery and Romance I’ve always wanted to read this book but for some reason kept delaying and putting it back to the bottom of the book pile. Now that I’ve turned the last page… I’m not sure why I waited so long to read it…I loved this book. Such a well written Victorian novel. Mystery and romance. Characters who are so well defined, they jumped off the pages and sat down beside me while I read. The words of Wilkie Collins flow. They just flow and meander so effortlessly that reading this book is like drinking a fine glass of wine. I will be raving about this book for some time to come! Lastly, this statement from DailyLit, sums it up very nicely: “Never out of print since its first publication, the mystery of The Woman in White continues to intrigue readers to this day with its ghostly beauty and unforgettable events.” If you haven’t read it…go read!
Date published: 2013-10-31
Rated 2 out of 5 by from Too Victorian for this Generation Xer I expected more from this book given that it is widely considered one of Wilkie Collins' masterpieces and one of the earliest entries into the "mystery writing" genre. Yes, I can excuse the Victorian vocabulary and mannerisms of the writer (and his characters), but I am loathe to accept some of the other things that Collins includes in his novel. For example, the heinous "crime" that must be righted is merely a question of family honour. The villains in the book are described as being evil and vile while also sporting an obvious "gentlemanly" manner towards the protagonists (one of the baddies even has a crush on one of the women involved, and for that reason struggles with his "heinous" crime). I guess the English readers of the mid-1800's would have been disgusted at a gutsy, gory serial killer / madman whodunit written by a more contemporary writer like Jeffery Deaver or Michael Connelly, but this Collins' mystery is too convoluted to enjoy it as what is prescribes to be: a good mystery.
Date published: 2012-07-29
Rated 4 out of 5 by from Intriguing I was really curious about this book. First because it is mentioned in other novels I have read, and also because, after having done some research, it is considered to be one of the first mystery novels ever written. I found it fascinating! Yes, it can be a little descriptive at times, but the suspense is very well built and I thought it was very cleverly set up. I really enjoyed it!
Date published: 2010-03-16
Rated 5 out of 5 by from Absolutely great If you have no trouble reading the style of Jane Austen then you will find this book very difficult to put down. The story is so compelling that you want to read on and on. A very ingenious detective story in which the author not only keeps a reader's attention but he takes care to cover and explain all characters' actions so a reader never feels left "hanging" because of unexplained scenes introduced.
Date published: 2010-02-17
Rated 3 out of 5 by from typical victorian novel Like most if not all Victorian novels, this book is really long and very descriptive. I gave up after about 400 pages. Any of the good qualities in this book (I've heard it called a 'pychological thriller') are lost in the length and the excruciating detail, in my opinion.
Date published: 2005-04-12

Read from the Book

Chapter OneThe Narrative of Walter Hartright, of Clemant's Inn, LondonIT WAS the last day of July. The long hot summer was drawing to a close; and we, the weary pilgrims of the London pavement, were beginning to think of the cloud-shadows on the corn-fields, and the autumn breezes on the sea-shore.For my own poor part, the fading summer left me out of health, out of spirits, and, if the truth must be told, out of money as well. During the past year, I had not managed my professional resources as carefully as usual; and my extravagance now limited me to the prospect of spending the autumn economically between my mother's cottage at Hampstead, and my own chambers in town.The evening, I remember, was still and cloudy; the London air was at its heaviest; the distant hum of the street-traffic was at its faintest; the small pulse of the life within me and the great heart of the city around me seemed to be sinking in unison, languidly and more languidly, with the sinking sun. I roused myself from the book which I was dreaming over rather than reading, and left my chambers to meet the cool night air in the suburbs. It was one of the two evenings in every week which I was accustomed to spend with my mother and my sister. So I turned my steps northward, in the direction of Hampstead.Events which I have yet to relate, make it necessary to mention in this place that my father had been dead some years at the period of which I am now writing; and that my sister Sarah, and I, were the sole survivors of a family of five children. My father was a drawing-master before me. His exertions had made him highly successful in his profession; and his affectionate anxiety to provide for the future of those who were dependent on his labours, had impelled him, from the time of his marriage, to devote to the insuring of his life a much larger portion of his income than most men consider it necessary to set aside for that purpose. Thanks to his admirable prudence and self-denial, my mother and sister were left, after his death, as independent of the world as they had been during his lifetime. I succeeded to his connexion, and had every reason to feel grateful for the prospect that awaited me at my starting in life.The quiet twilight was still trembling on the topmost ridges of the heath; and the view of London below me had sunk into a black gulf in the shadow of the cloudy night, when I stood before the gate of my mother's cottage. I had hardly rung the bell, before the house-door was opened violently; my worthy Italian friend, Professor Pesca, appeared in the servant's place; and darted out joyously to receive me, with a shrill foreign parody on an English cheer.On his own account, and, I must be allowed to add, on mine also, the Professor merits the honour of a formal introduction. Accident has made him the starting-point of the strange family story which it is the purpose of these pages to unfold.I had first become acquainted with my Italian friend by meeting him at certain great houses, where he taught his own language and I taught drawing. All I then knew of the history of his life was, that he had once held a situation in the University of Padua; that he had left Italy for political reasons (the nature of which he uniformly declined to mention to anyone); and that he had been for many years respectably established in London as a teacher of languages.Without being actually a dwarf-for he was perfectly well-proportioned from head to foot-Pesca was, I think, the smallest human being I ever saw, out of a show-room. Remarkable anywhere, by his personal appearance, he was still further distinguished among the rank and file of mankind, by the harmless eccentricity of his character. The ruling idea of his life appeared to be, that he was bound to show his gratitude to the country which had afforded him an asylum and a means of subsistence, by doing his utmost to turn himself into an Englishman. Not content with paying the nation in general the compliment of invariably carrying an umbrella, and invariably wearing gaiters and a white hat, the Professor further aspired to become an Englishman in his habits and amusements, as well as in his personal appearance. Finding us distinguished, as a nation, by our love of athletic exercises, the little man, in the innocence of his heart, devoted himself impromptu to all our English sports and pastimes, whenever he had the opportunity of joining them; firmly persuaded that he could adopt our national amusements of the field, by an effort of will, precisely as he had adopted our national gaiters and our national white hat.I had seen him risk his limbs at a fox-hunt and in a cricket-field; and, soon afterwards, I saw him risk his life, just as blindly, in the sea at Brighton. We had met there accidentally, and were bathing together. If we had been engaged in any exercise peculiar to my own nation, I should, of course, have looked after Pesca carefully; but, as foreigners are generally quite as well able to take care of themselves in the water as Englishmen, it never occurred to me that the art of swimming might merely add one more to the list of manly exercises which the Professor believed that he could learn impromptu. Soon after we had both struck out from shore, I stopped, finding my friend did not gain on me, and turned round to look for him. To my horror and amazement, I saw nothing between me and the beach but two little white arms, which struggled for an instant above the surface of the water, and then disappeared from view. When I dived for him, the poor little man was lying quietly coiled up at the bottom, in a hollow of shingle, looking by many degrees smaller than I had ever seen him look before. During the few minutes that elapsed while I was taking him in, the air revived him, and he ascended the steps of the machine with my assistance. With the partial recovery of his animation came the return of his wonderful delusion on the subject of swimming. As soon as his chattering teeth would let him speak, he smiled vacantly, and said he thought it must have been the Cramp.When he had thoroughly recovered himself and had joined me on the beach, his warm Southern nature broke through all artificial English restraints, in a moment. He overwhelmed me with the wildest expressions of affection-exclaimed passionately, in his exaggerated Italian way, that he would hold his life, henceforth, at my disposal-and declared that he should never be happy again, until he had found an opportunity of proving his gratitude by rendering me some service which I might remember, on my side, to the end of my days. I did my best to stop the torrent of his tears and protestations, by persisting in treating the whole adventure as a good subject for a joke; and succeeded at last, as I imagined, in lessening Pesca's overwhelming sense of obligation to me. Little did I think then-little did I think afterwards when our pleasant Brighton holiday had drawn to an end-that the opportunity of serving me for which my grateful companion so ardently longed, was soon to come; that he was eagerly to seize it on the instant; and that, by so doing, he was to turn the whole current of my existence into a new channel, and to alter me to myself almost past recognition.Yet, so it was. If I had not dived for Professor Pesca, when he lay under water on his shingle bed, I should, in all human probability, never have been connected with the story which these pages will relate-I should never, perhaps, have heard even the name of the woman, who has lived in all my thoughts, who has possessed herself of all my energies, who has become the one guiding influence that now directs the purpose of my life.Chapter TwoPesca's face and manner, on the evening when we confronted each other at my mother's gate, were more than sufficient to inform me that something extraordinary had happened. It was quite useless, however, to ask him for an immediate explanation. I could only conjecture, while he was dragging me in by both hands, that (knowing my habits) he had come to the cottage to make sure of meeting me that night, and that he had some news to tell of an unusually agreeable kind.We both bounced into the parlour in a highly abrupt and undignified manner. My mother sat by the open window, laughing and fanning herself. Pesca was one of her especial favourites; and his wildest eccentricities were always pardonable in her eyes. Poor dear soul! from the first moment when she found out that the little Professor was deeply and gratefully attached to her son, she opened her heart to him unreservedly, and took all his puzzling foreign peculiarities for granted, without so much as attempting to understand any one of them.My sister Sarah, with all the advantages of youth, was, strangely enough, less pliable. She did full justice to Pesca's excellent qualities of heart; but she could not accept him implicitly, as my mother accepted him, for my sake. Her insular notions of propriety rose in perpetual revolt against Pesca's constitutional contempt for appearances; and she was always more or less undisguisedly astonished at her mother's familiarity with the eccentric little foreigner. I have observed, not only in my sister's case, but in the instances of others, that we of the young generation are nothing like so hearty and so impulsive as some of our elders. I constantly see old people flushed and excited by the prospect of some anticipated pleasure which altogether fails to ruffle the tranquillity of their serene grandchildren. Are we, I wonder, quite such genuine boys and girls now as our seniors were, in their time? Has the great advance in education taken rather too long a stride; and are we, in these modern days, just the least trifle in the world too well brought up?Without attempting to answer those questions decisively, I may at least record that I never saw my mother and my sister together in Pesca's society, without finding my mother much the younger woman of the two. On this occasion, for example, while the old lady was laughing heartily over the boyish manner in which we tumbled into the parlour, Sarah was perturbedly picking up the broken pieces of a teacup, which the Professor had knocked off the table in his precipitate advance to meet me at the door."I don't know what would have happened, Walter," said my mother, "if you had delayed much longer. Pesca has been half-mad with impatience; and I have been half-mad with curiosity. The Professor has brought some wonderful news with him, in which he says you are concerned; and he has cruelly refused to give us the smallest hint of it till his friend Walter appeared.""Very provoking: it spoils the Set," murmured Sarah to herself, mournfully absorbed over the ruins of the broken cup.While these words were being spoken, Pesca, happily and fussily unconscious of the irreparable wrong which the crockery had suffered at his hands, was dragging a large arm-chair to the opposite end of the room, so as to command us all three, in the character of a public speaker addressing an audience. Having turned the chair with its back towards us, he jumped into it on his knees, and excitably addressed his small congregation of three from an impromptu pulpit."Now, my good dears," began Pesca (who always said "good dears," when he meant "worthy friends"), "listen to me. The time has come-I recite my good news-I speak at last.""Hear, hear!" said my mother, humouring the joke."The next thing he will break, mamma," whispered Sarah, "will be the back of the best arm-chair.""I go back into my life, and I address myself to the noblest of created beings," continued Pesca, vehemently apostrophising my unworthy self, over the top rail of the chair. "Who found me dead at the bottom of the sea (through Cramp); and who pulled me up to the top; and what did I say when I got into my own life and my own clothes again?""Much more than was at all necessary," I answered, as doggedly as possible; for the least encouragement in connexion with this subject invariably let loose the Professor's emotions in a flood of tears."I said," persisted Pesca, "that my life belonged to my dear friend, Walter, for the rest of my days-and so it does. I said that I should never be happy again till I had found the opportunity of doing a good Something for Walter-and I have never been contented with myself till this most blessed day. Now," cried the enthusiastic little man at the top of his voice, "the overflowing happiness bursts out of me at every pore of my skin, like a perspiration; for on my faith, and soul, and honour, the Something is done at last, and the only word to say now, is-Right-all-right!"It may be necessary to explain, here, that Pesca prided himself on being a perfect Englishman in his language, as well as in his dress, manners, and amusements. Having picked up a few of our most familiar colloquial expressions, he scattered them about over his conversation whenever they happened to occur to him, turning them, in his high relish for their sound and his general ignorance of their sense, into compound words and repetitions of his own, and always running them into each other, as if they consisted of one long syllable."Among the fine London houses where I teach the language of my native country," said the Professor, rushing into his long-deferred explanation without another word of preface, "there is one, mighty fine, in the big place called Portland. You all know where that is? Yes, yes-course-of-course. The fine house, my good dears, has got inside it a fine family. A Mamma, fair and fat; three young Misses, fair and fat; two young Misters, fair and fat; and a Papa, the fairest and the fattest of all, who is a mighty merchant, up to his eyes in gold-a fine man once, but seeing that he has got a naked head and two chins, fine no longer at the present time. Now mind! I teach the sublime Dante to the young Misses, and ah!-my-soul-bless-my-soul!-it is not in human language to say how the sublime Dante puzzles the pretty heads of all three! No matter-all in good time-and the more lessons the better for me. Now mind! Imagine to yourselves that I am teaching the Young Misses to-day, as usual. We are all four of us down together in the Hell of Dante. At the Seventh Circle-but no matter for that: all the Circles are alike to the three young Misses, fair and fat,-at the Seventh Circle, nevertheless, my pupils are sticking fast; and I to set them going again, recite, explain, and blow myself up red-hot with useless enthusiasm, when-a creak of boots in the passage outside, and in comes the golden Papa, the mighty merchant with the naked head and the two chins.-Ha! my good dears, I am closer than you think for to the business, now. Have you been patient, so far? or have you said to yourselves, 'Deuce-what-the-deuce! Pesca is long-winded to-night?' "

Bookclub Guide

1. Wilkie Collins has been hailed as the creator of the “sensation novel”. Citing examples from The Woman in White, how would you define this Victorian literary genre? 2. In his preface to the 1860 edition of The Woman in White, Collins wrote, “An experiment is attempted in this novel, which has not (so far as I know) been hitherto tried in fiction. The story…is told throughout by the characters of the book.” Was the experiment a success? What is gained and what is lost in telling the story exclusively through first person narratives?3. In her Introduction to this Modern Library edition, Anne Perry asks, “What is there in The Woman in White that transcends the change in culture from 1860 to the present, and beyond?” How would you answer this question?4. Collins has been widely praised for his fully drawn portraits. Which characters stand out as the most vivid, and why?5. Throughout the novel, how does Collins use premonitions, coincidences and dreams to foreshadow key events?6. “Walter Hartright is very much a man of his time,” declares Anne Perry. “His view of women is almost unbelievably naïve compared with today’s.” Drawing on Hartright’s descriptions of Marian Halcombe and her sister Laura, as well as Anne Catherick and her mother, do you agree with Perry’s comment? Do you think that Wilkie Collins shared his protagonist’s view of women?7. Why does Mrs. Catherick allow her own daughter to be placed in an insane asylum, and how does she justify her actions?8. In his concluding narrative, Count Fosco describes “the first and last weakness” of his life. What is the nature of Fosco’s self-described “deplorable and uncharacteristic fault”?9. Throughout the novel, how does Collins explore the themes of respectability and social class?

From Our Editors

Still unsurpassed as a masterpiece of narrative drive and excruciating suspense, 'The Woman in White' is also famous for introducing, in the figure of Count Fosco, the prototype of the suave, sophisticated evil genius. The first detective novel ever written, it has remained, since its publication in 1860, the most admired example of the genre.

Editorial Reviews

“Collins was a master craftsman, whom many modern mystery-mongers might imitate to their profit.” —Dorothy L. Sayers