The Woman with the Alabaster Jar: Mary Magdalen and the Holy Grail by Margaret StarbirdThe Woman with the Alabaster Jar: Mary Magdalen and the Holy Grail by Margaret Starbird

The Woman with the Alabaster Jar: Mary Magdalen and the Holy Grail

byMargaret Starbird

Paperback | June 1, 1993

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Margaret Starbird’s theological beliefs were profoundly shaken when she read Holy Blood, Holy Grail, a book that dared to suggest that Jesus Christ was married to Mary Magdalen and that their descendants carried on his holy bloodline in Western Europe. Shocked by such heresy, this Roman Catholic scholar set out to refute it, but instead found new and compelling evidence for the existence of the bride of Jesus--the same enigmatic woman who anointed him with precious unguent from her “alabaster jar.”

In this provocative book, Starbird draws her conclusions from an extensive study of history, heraldry, symbolism, medieval art, mythology, psychology, and the Bible itself. The Woman with the Alabaster Jar is a quest for the forgotten feminine--in the hope that its return will help restore a healthy balance to planet Earth.
MARGARET STARBIRD is the author of The Goddess in the Gospels, Magdalene’s Lost Legacy, and Mary Magdalene: Bride in Exile. She lives near Seattle, Washington.
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Title:The Woman with the Alabaster Jar: Mary Magdalen and the Holy GrailFormat:PaperbackDimensions:240 pages, 9 × 6 × 0.6 inPublished:June 1, 1993Publisher:Inner Traditions/Bear & Company

The following ISBNs are associated with this title:

ISBN - 10:1879181037

ISBN - 13:9781879181038

Reviews

Rated 2 out of 5 by from Speculative work Margaret Starbird's "Woman with the Alabaster Jar" is a bit too speculative for me, especially when compared to her more recent "Mary Magdalene: Bride in Exile". The "Alabster Jar" is more an exploration of the sacred feminine in Christianity, than a book dealing with Mary Magdalene. There are many leaps of faith in this work, and it is rather unsatisfying. I would recomend to readers who are interested in the historical Mary Magdalene and her putative marriage to Jesus Christ to buy her "Mary Magdalene: Bride in Exile" and/or Bruce Chilton's "Mary Magdalene: A Biography",
Date published: 2006-07-06

Read from the Book

from Chapter 1The Lost BrideThe Sacred ProstituteWhile two Gospels, those of Mark and Luke, maintain that Mary Magdalen was healed by Jesus of possession by seven demons, nowhere does it say she was a prostitute, and yet this stigma has followed her throughout Christendom. The original story of the anointing of Jesus at Bethany by the woman with the alabaster jar may have been misinterpreted by the author of Luke's gospel writing nearly fifty years after the event. The anointing performed by the woman at Bethany was similar to the familiar ritual practice of a sacred priestess or temple "prostitute" in the Goddes cults of the Roman Empire. Even the term prostitute is a misnomer. The term, chosen by modern translators, is applied to the hierodulae, or "sacred women" of the temple of the Goddess, who played an important part in the everyday life of the classical world. As priestesses of the Goddess, their importance dates back through the centuries to the Neolithic period (7000-3500 B.C.), back to the time when God was honored and treasured as feminine throughout the lands that are now known as the Middle East and Europe.In the ancient world, sexuality was considered sacred, a special gift from the goddess of love, and the priestess who officiated at the temples of the love goddesses in the Middle East were considered holy by the citizens of the Greek and Roman empires. Known as "consecrated women," they were held in high esteem as invokers of the love, ecstacy, and fertility of the Goddess. At some periods of Jewish history, they were even a part of the ritual worship in the Temple of Jerusalem, although some of the prophets of Yahweh deplored the influence of the Great Goddess locally called "Ashera." The discovery in Israeli achaeological digs of virtually thousands of figurines of the Sumerian/Canaanite love goddess (Inanna, Astarte), holding her breasts cupped in her hands, has convinced experts that the worship of the Hebrew version of this goddess was commonplace in ancient Israel. The priestess of the love goddess was a familiar sight in every city of the Roman Empire, including Jerusalem.In the Gospel context, the woman with the alabaster jar of unguent may have been one of these priestesses. But curiously, Jesus does not seem to have been at all affronted by her action when she anointed him. He even told his friends gathered at the banquet in the house of Simon at Bethany that the woman had anointed him for burial (Mark 14:8, Matt. 26:12). The significance of this statement cannot possibly have been misunderstood by the early Christian community, which preserved this story in its oral tradition. The anointing for burial was an enactment of a key part of the cult ritual of the dying/rising sun and the fertility gods of the whole region washed by the Meditteranean Sea.The anointing by the woman with the alabaster jar was familiar to the citizens of the empire because of the cultic ritual of their love goddess. But in more ancient times, the anointing of the sacred king was the unique privilege of a royal bride. For millennia this same action had been part of an actual marriage rite performed by a daughter of the royal house, and the marriage rite itself conferred kingship on her consort.In those remote times, up until about the third millenniem B.C., most of the societies of the Near and Middle East had been matrilineal, with property and position passed through the mother and female kinship. In fact, among the royal houses of much of the region, this practice continued well into classical times. Both the Queen of Sheba nd Cleopatra of Egypt ruled as dynastic heiresses. In Palestine, almost contemporaneously with Jesus, the Edomite king Herod the Great (who reigned from 37-4 B.C.), claimed the throne of Israel on the basis of marriage to Mariamne, a descendant of the Hasmonian House of Maccabees, the last legitimate rulers in Palestine.

Table of Contents

Illustrations

Acknowledgments

Foreword by Rev. Terrance Sweeney, Ph.D.

Preface

PROLOGUE: Miriam of the Garden

CHAPTER I: The Lost Bride

CHAPTER II: The Bridegroom

CHAPTER III: The Blood Royal and the Vine

CHAPTER IV: The Twelth-Century Awakening

CHAPTER V: Relics of the Hidden Church

CHAPTER VI: Heretical Artists anf Their Symbols

CHAPTER VII: The Unicorn and the Lady

CHAPTER VIII: The Bride in Folklore and Legend

CHAPTER IX: The Desert Shall Bloom

EPILOGUE: The Sacred Reunion

Notes

Selected Bibliography

Index

About the Author

From Our Editors

For some, the alleged bride of Jesus is in fact more a bride of Frankenstein, a monster created by the human imagination. Margaret Starbird is a religious scholar who held such a belief, until she came across more and more evidence which convinced her of the existence of Mary Magdalen as Jesus' spouse. Thus, The Woman with the Alabaster Jar takes on an important investigation for the Catholic faith. The author finds the woman's presence in historical records, heraldry, symbolism, art and the Bible itself. An important and illuminating volume.

Editorial Reviews

"As Starbird says, 'No wonder icons of Mary weep!' "