Thinking Media Aesthetics: Media Studies, Film Studies and the Arts by Liv HauskenThinking Media Aesthetics: Media Studies, Film Studies and the Arts by Liv Hausken

Thinking Media Aesthetics: Media Studies, Film Studies and the Arts

EditorLiv Hausken

Hardcover | October 16, 2013

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Thinking Media Aesthetics. Media Studies, Film Studies and the Arts brings together contributions from different disciplines from both sides of the Atlantic and from several generations. The book investigates the field between media studies, film and the arts and attempts to consolidate the fruitful interaction we have witnessed between the disciplines during the last decade into a focused interdisciplinary program that combines theoretical argumentation with exemplification and analysis of individual artworks and media phenomena.
Liv Hausken, Dr.art., is Professor at the Department of Media and Communication at the University of Oslo and head of the research area Media Aesthetics. She has published numerous articles on textual theory, narrative theory, feminism, film, television, photography, and medical imaging.
Title:Thinking Media Aesthetics: Media Studies, Film Studies and the ArtsFormat:HardcoverDimensions:8.27 × 5.83 × 0.98 inPublished:October 16, 2013Publisher:Peter Lang GmbH, Internationaler Verlag der WissenschaftenLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:3631642970

ISBN - 13:9783631642979

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Table of Contents

Contents: Samuel Weber: From Reflection to Repetition: Medium, Reflexivity and the Economy of the Self – Ina Blom: Mediating Sociality: A Contested Question of Contemporary Art – Mary Ann Doane: Has Time Become Space? – Eivind Røssaak: The Moving Image in the Museum: Real-Time, Technology and the Spectator’s Cut – Susanne Østby Sæther: «Are you talking to me?» Spectatorship in Post-Cinema Art – Liv Hausken: Doing Media Aesthetics: The Case of Alice Miceli’s 88 from 14.000 – Arild Fetveit: Medium-Specific Noise – Dieter Daniels/Sandra Naumann: Shifting Aesthetics of Image-Sound Relations in the Interaction between Art, Technology, and Perception – D. N. Rodowick: A Compass in a Moving World (on genres and genealogies of film theory).