Tragedy's End: Closure and Innovation in Euripidean Drama by Francis M. DunnTragedy's End: Closure and Innovation in Euripidean Drama by Francis M. Dunn

Tragedy's End: Closure and Innovation in Euripidean Drama

byFrancis M. Dunn

Hardcover | April 30, 1999

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Euripides is a notoriously problematic and controversial playwright whose innovations, according to Nietzsche, brought Greek tragedy to an early death. Dunn here argues that the infamous and artificial endings in Euripides deny the viewer access to a stable or authoritative reading of theplay, while innovations in plot and ending opened tragedy up to a medley of comic, parodic, and narrative impulses. Part One explores the dramatic and metadramatic uses of novel closing gestures, such as aetiology, closing prophecy, exit lines of the chorus, and deus ex machina. Part Two shows howexperimentation in plot and ending reinforce one another in Hippolytus, Trojan Women, and Heracles. Part Three argues that in three late plays, Helen, Orestes, and Phoenician Women, Euripides devises radically new and untragic ways of representing and understanding human experience. Tragedy's End isthe first comprehensive study of closure in classical literature, and will be of interest to a range of students and scholars.
Francis M. Dunn is at University of California, Santa Barbara.
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Title:Tragedy's End: Closure and Innovation in Euripidean DramaFormat:HardcoverDimensions:264 pages, 9.57 × 6.34 × 0.87 inPublished:April 30, 1999Publisher:Oxford University Press

The following ISBNs are associated with this title:

ISBN - 10:019508344X

ISBN - 13:9780195083446

Reviews

From Our Editors

Euripides is a notoriously problematic and controversial playwright whose innovations, according to Nietzsche, brought Greek tragedy to an early death. Francis Dunn here argues that the infamous and artificial endings in Euripides deny the viewer access to a stable or authoritative reading of the play, while innovations in plot and ending opened tragedy up to a medley of comic, parodic, and narrative impulses. Part One explores the dramatic and metadramatic uses of novel closing gestures, such as aetiology, closing prophecy, exit lines of the chorus, and deus ex machina. Part Two shows how experimentation in plot and ending reinforce one another in Hippolytus, Trojan Women, and Heracles. Part Three argues that in three late plays, Helen, Orestes, and Phoenician Women, Euripides devises radically new and untragic ways of representing and understanding human experience. Tragedy's End is the first comprehensive study of closure in classical tragedy, and will be of interest to students and scholars of classical literature, drama, and comparative literature.

Editorial Reviews

"As a reference source for Euripidean closing techniques Tragedy's End is compendious and useful."--New England Classical Journal