Troubling Vision: Performance, Visuality, and Blackness by Nicole R. FleetwoodTroubling Vision: Performance, Visuality, and Blackness by Nicole R. Fleetwood

Troubling Vision: Performance, Visuality, and Blackness

byNicole R. Fleetwood

Paperback | January 30, 2011

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Troubling Vision addresses American culture’s fixation on black visibility, exploring how blackness is persistently seen as a problem in public culture and even in black scholarship that challenges racist discourse. Through trenchant analysis, Nicole R. Fleetwood reorients the problem of black visibility by turning attention to what it means to see blackness and to the performative codes that reinforce, resignify, and disrupt its meaning. Working across visual theory and performance studies, Fleetwood asks, How is the black body visualized as both familiar and disruptive? How might we investigate the black body as a troubling presence to the scopic regimes that define it as such? How is value assessed based on visible blackness?

Fleetwood documents multiple forms of engagement with the visual, even as she meticulously underscores how the terms of engagement change in various performative contexts. Examining a range of practices from the documentary photography of Charles “Teenie” Harris to the “excess flesh” performances of black female artists and pop stars to the media art of Fatimah Tuggar to the iconicity of Michael Jackson, Fleetwood reveals and reconfigures the mechanics, codes, and metaphors of blackness in visual culture.

Troubling Vision is a path-breaking book that examines the problem of seeing blackness—the simultaneous hyper-visibility and invisibility of African Americans—in US visual culture in the last half century. Weaving together critical modes and methodologies from performance studies, art history, critical race studies, visual culture analysis, and gender theory, Fleetwood expands Du Bois’s idea of double vision into a broad questioning of whether ‘representation itself will resolve the problem of the black body in the field of vision.’ With skilled attention to historical contexts, documentary practices, and media forms, she takes up the works of a broad variety of cultural producers, from photographers and playwrights to musicians and visual artists and examines black spectatorship as well as black spectacle. In chapters on the trope of ‘non-iconicity’ in the photographs of Charles (Teenie) Harris, the ‘visible seams’ in the digital images of the artist Fatimah Tuggar, and a coda on the un-dead Michael Jackson, Fleetwood's close analyses soar. Troubling Vision is a beautifully written, original, and important addition to the field of American Studies.”—Announcement of the American Studies Association for the 2012 Lora Romero First Book Publication Prize

Nicole R. Fleetwood is assistant professor of American studies at Rutgers University and an art consultant who has worked with numerous museums and art institutions.
Title:Troubling Vision: Performance, Visuality, and BlacknessFormat:PaperbackDimensions:296 pages, 9 × 6 × 0.8 inPublished:January 30, 2011Publisher:University Of Chicago PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0226253031

ISBN - 13:9780226253039

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Table of Contents

List of Illustrations


ONE / “One Shot”: Charles “Teenie” Harris and the Photographic Practice of Non-Iconicity
TWO / Her Own Spook: Colorism, Vision, and the Dark Female Body
THREE / Excess Flesh: Black Women Performing Hypervisibility
FOUR / “I am King”: Hip-Hop Culture, Fashion Advertising, and the Black Male Body
FIVE / Visible Seams: The Media Art of Fatimah Tuggar
CODA / The Icon Is Dead: Mourning Michael Jackson


Editorial Reviews

"Nicole Fleetwood’s Troubling Vision is a fascinating study of black visuality and contributes greatly to the fields of performance, visual, and critical race studies . . . .Troubling Vision [is] aesthetically seductive and theoretically smart."