336 pages, 9 × 6 × 1.2 in
June 3, 2014
The following ISBNs are associated with this title:
ISBN - 10: 1476724024
ISBN - 13: 9781476724027
Read from the Book
Vertigo 42 Vertigo 42, the City Monday, 6:00 P.M. 1 It was far too high to see Old Broad Street down below, but the windows that traveled all the way around the lozenge-shaped room gave as great a view of London as he’d ever seen. The Thames, Westminster, St. Paul’s, Southwark, everything miniaturized. He was so high up he fancied he’d almost had an attack of vertigo on the fast elevator that made only one stop, and that one at the top of Tower 42: Vertigo. Jury was looking down at the Thames, moving off in one direction toward Gravesend and Gallions Reach, which he couldn’t of course see; in the other direction, the Isle of Dogs, Richmond, and Hampton Court. He tried to picture all of those ships that had once steamed toward London’s docks, toward Rotherhithe and the Blackwall Basin in the not-so-distant past, and in just such light as Jury was seeing now, the sun setting on St Paul’s. In the deep sunset hovering over buildings, the outlines blurred. They might have been dark hills. He was looking toward Docklands, an area that used to comprise the West India Docks and beyond to the Blackwell Basin, one thing that remained after the docks closed. Eighty-some acres of what was now the Canary Wharf estate. Hundreds of dockers had once lived and worked there; now it was office workers, glass buildings, and converted warehouses. Vertigo 42, this bar at the top of one of the financial towers in the “square mile” that made up the City of London—London’s financial district—might
From the Publisher
In her latest Richard Jury mystery, Martha Grimes delivers the newest addition to the bestselling series The Washington Post calls “literate, lyrical, funny, funky, discursive, bizarre.” The inimitable Scotland Yard Superintendent returns, now with a tip of the derby to Alfred Hitchcock’s Vertigo.
Richard Jury is meeting Tom Williamson at Vertigo 42, a bar on the forty-second floor of an office building in London’s financial district. Despite inconclusive evidence, Tom is convinced his wife, Tess, was murdered seventeen years ago. The inspector in charge of the case was sure Tess’s death was accidental—a direct result of vertigo—but the official police inquiry is still an open verdict and Jury agrees to re-examine the case.
Jury learns that a nine-year-old girl fell to her death five years before Tess at the same country house in Devon where Tess died. The girl had been a guest at a party Tess was giving for six children. Jury seeks out the five surviving party guests, who are now adults, hoping they can shed light on this bizarre coincidence.
Meanwhile, an elegantly dressed woman falls to her death from the tower of a cottage near the pub where Jury and his cronies are dining one night. Then the dead woman’s estranged husband is killed as well. Four deaths—two in the past, two that occur on the pages of this intricate, compelling novel—keep Richard Jury and his sidekick Sergeant Wiggins running from their homes in Islington to the countryside in Devon and to London as they try to figure out if the deaths were accidental or not. And, if they are connected.
Witty, well-written, with literary references from Thomas Hardy to Yeats, Vertigo 42 is a pitch perfect, page-turning novel from a mystery writer at the top of her game.
About the Author
Martha Grimes was born on May 2, 1931 in Pittsburgh, Pennsylvania. She received a B.A. and an M.A. from the University of Maryland. The idea for Martha Grimes' first British detective novel, The Man with a Load of Mischief (1981), was inspired by the name of a British pub she noticed while leafing through a travel book. A longtime Anglophile, she has continued to use a British pub as both the title and part of the setting in each subsequent novel in the series which features Scotland Yard Detective Richard Jury, his assistant, Melrose Plant, and Plant's interfering Aunt Agatha. The Anodyne Necklace (1983) won her the Nero Wolfe Award. Her other works include The Stargazey, The Case Has Been Altered, The End of the Pier, Biting the Moon, and Dust.
Gloriously quirky…Grimes is no slouch at creating vivid characters.