Victorian Sensational Fiction: The Daring Work of Charles Reade by R. FantinaVictorian Sensational Fiction: The Daring Work of Charles Reade by R. Fantina

Victorian Sensational Fiction: The Daring Work of Charles Reade

byR. Fantina

Hardcover | January 29, 2010

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Sensation fiction emerged in the 1860s, and immediately generated alarm as many critics viewed the genre as a threat to prevailing Victorian values. Charles Reade, along with Wilkie Collins and Mary Elizabeth Braddon, was among the most well-known sensation novelists. With its explicit critique of power relations in the fields of medicine, criminal justice, and sexual mores, Reade’s work anticipates Michel Foucault’s theories elaborated a century later. Reade’s work also provides rare glimpses of alternative sexualities and gender identities in nineteenth-century fiction. This book recovers the fiction of Charles Reade as a body of work that anticipates recent trends in literary and cultural theory.

Richard Fantina is Professor of Graduate Studies at the Union Institute & University. His most recent book is the co-edited collection (with Kimberly Harrison), Victorian Sensations: Essays on a Scandalous Genre. He is also the author of Ernest Hemingway: Machismo and Masochism.
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Title:Victorian Sensational Fiction: The Daring Work of Charles ReadeFormat:HardcoverDimensions:216 pages, 8.5 × 5.51 × 0 inPublished:January 29, 2010Publisher:Palgrave Macmillan USLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:023062037X

ISBN - 13:9780230620377

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Table of Contents

Introduction * Sensation Fiction and the Emergence of the Victorian Literary Field * Saying “No” to Power: It is Never Too Late to Mend and Hard Cash * Sex and Sexuality, Gender and Transgender * Sensational Paradigms: Reade’s Griffith Gaunt and Braddon’s Aurora Floyd * Reade, Race, and Colonialism * Coda: Recovering Reade

Editorial Reviews

“Fantina’s analysis of a controversial Victorian author is not only compelling but timely. Fantina’s book illuminates the important contributions that Reade’s often neglected works make to our understanding of Victorian social institutions (e.g. prisons and madhouses), gender ideology, and alternative sexualities—in essence, demonstrating how Reade’s fiction was daring in its challenge of Victorian norms of sexuality, class, and gender. Moving nimbly among fictional analyses, critical theory, and historical information, Fantina illuminates how Reade’s fiction anticipates and confirms the theoretical concerns of Foucault, whose sophisticated works Fantina reads as effectively as Reade’s fiction.”—Catherine J. Golden, Skidmore College and author of Posting It:  The Victorian Revolution in Letter Writing “Through close and historically contextualized analyses, Fantina shows that in many of his fictions Charles Reade responds to conditions and thinks through questions that have also concerned late twentieth and early twenty-first century theorists—he shows that Reade produces critiques of the prison and the asylum that foreshadow Michel Foucault’s investigations of disciplinary institutions a hundred years later and that Reade’s representation of masculine women finds a counterpart in the thought of Judith Halberstam today. High modernism diverged from the path that Reade followed, but Fantina brings much deserved and long-delayed attention to this socially committed novelist in his fascinating and illuminating study.”—Frank Palmeri, Professor and Director of Graduate Studies, Department of English, University of Miami