Waking Giants: The Presence of the Past in Modernism

Hardcover | April 30, 1999

byHerbert N. Schneidau

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This is a study of the most paradoxical aspect of modernism, its obsession with the past. Eliot wrote that the artist must be conscious "not only of the pastness of the past, but of its presence." This creed permeated the movement: Modernists believed that the energies of the past could beresurrected in modern works, and that they could be the very force that makes those works modern: the urge of Pound and others to "make it new" stemmed from seeing the past as a source of renewal. Schneidau focuses on separate texts that incorporate these concepts: Joyce's Ulysses, Hardy's poems,Forster's Howards End, Conrad's Secret Agent, Sherwood Anderson's Winesburg, Ohio, and finally Pound's Cantos. In his discussions, many little-noticed connections are examined, including a transatlantic set: Hardy with Pound, Forster with Fitzgerald, Joyce and Lawrence with Anderson.

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This is a study of the most paradoxical aspect of modernism, its obsession with the past. Eliot wrote that the artist must be conscious "not only of the pastness of the past, but of its presence." This creed permeated the movement: Modernists believed that the energies of the past could beresurrected in modern works, and that they coul...

Herbert N. Schneidau is at University of Arizona.
Format:HardcoverDimensions:304 pages, 8.5 × 5.75 × 1.06 inPublished:April 30, 1999Publisher:Oxford University Press

The following ISBNs are associated with this title:

ISBN - 10:0195068629

ISBN - 13:9780195068627

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"A rich, reflective study...from one of our most intellectually independent and adventurous scholar-critics....Swanee Review