Walter Benjamin: Selected Writings, Volume 1: 1913-1926

by Walter Benjamin
Editor Marcus Bullock, Michael W. Jennings

Harvard University Press | December 1, 1996 | Hardcover

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Walter Benjamin was one of the most original and important critical voices of the twentieth century, but until now only a few of his writings have been available in English. Harvard University Press has now undertaken to publish a significant portion of his work in definitive translation, under the general editorship of Michael W. Jennings. This volume, the first of three, will at last give readers of English a true sense of the man and the mans' theets of his thought. A separate volume will consist of his book The Arcades Project, the magnum opus of his Paris years.

The writer Walter Benjamin emerged our of the head-on collision of an idealistic youth movement and the First World War, which Benjamin and his close friends thought immoral. He walked away from the wreck scarred yet determined "to be considered as the principal critic of German literature." But the scene as he found it was dominated by "talented fakes," so-to use his words-"only a terrorist campaign would I suffice" to effect radical change. This book offers the record of the first phase of that campaign, culminating with "One-Way Street," one of the most significant products of the German avant-garde of the Twenties. Against conformism, homogeneity, and gentrification of all life into a new world order, Benjamin made the word his sword.

Volume I of the Selected Writings brings together essays long and short, academic treatises, reviews, fragments, and privately circulated pronouncements. Fully five-sixths of this material has never before been translated into English. The contents begin in 1913, when Benjamin, as an undergraduate in imperial Germany, was president of a radical youth group, and take us through 1926, when he had already begun, with his explorations of the world of mass culture, to emerge as a critical voice in Weimar Germany's most influential journals.

The volume includes a number of his most important works, including "Two Poems by Friedrich Hölderlin," "Goethe's Elective Affinities," "The Concept of Criticism in German Romanticism," "The Task of the Translator," and "One-Way Street." He is as compelling and insightful when musing on riddles or children's books as he is when dealing with weightier issues such as the philosophy of language, symbolic logic, or epistemology. We meet Benjamin the youthful idealist, the sober moralist, the political theorist, the experimentalist, the translator, and, above all, the virtual king of criticism, with his magisterial exposition of the basic problems of aesthetics.

Benjamin's sentences provoke us to return to them again and again, luring us as though with the promise of some final revelation that is always being postponed. He is by turns fierce and tender, melancholy and ebullient; he is at once classically rooted, even archaic, in his explorations of the human psyche and the world of things, and strikingly progressive in his attitude toward society and what he likes to call the organs of the collective (its architectures, fashions, signboards). Throughout, he displays a far-sighted urgency, judging the present on the basis of possible futures. And he is gifted with a keen sense of humor. Mysterious though he may sometimes be (his Latvian love, Asia Lacis, once described him as a visitor from another planet), Benjamin remains perhaps the most consistently surprising and challenging of critical writers.

Format: Hardcover

Dimensions: 528 pages, 9.25 × 6.38 × 1.25 in

Published: December 1, 1996

Publisher: Harvard University Press

The following ISBNs are associated with this title:

ISBN - 10: 0674945859

ISBN - 13: 9780674945852

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Walter Benjamin: Selected Writings, Volume 1: 1913-1926

Walter Benjamin: Selected Writings, Volume 1: 1913-1926

by Walter Benjamin
Editor Marcus Bullock, Michael W. Jennings

Format: Hardcover

Dimensions: 528 pages, 9.25 × 6.38 × 1.25 in

Published: December 1, 1996

Publisher: Harvard University Press

The following ISBNs are associated with this title:

ISBN - 10: 0674945859

ISBN - 13: 9780674945852

Table of Contents

Metaphysics of Youth, 1913-1919 "Experience" The Metaphysics of Youth Two Poems by Friedrich Hölderlin The Life of Students Aphorisms on Imagination and Color A Child's View of Color Socrates Trauerspiel and Tragedy The Role of Language in Traucrspiel and Tragedy On Language as Such and on the Language of Man Theses on the Problem of Identity Dostoevsky's The Idiot Painting and the Graphic Arts Painting, or Signs and Marks The Ground of Intentional Immediacy The Object: Triangle Perception Is Reading On Perception Comments on Gundolf's Goethe On the Program of the Coming Philosophy Stifter Every Unlimited Condition of the Will Types of History The Concept of Criticism in German Romanticism Fate and Character Analogy and Relationship The Paradox of the Cretan The Currently Effective Messianic Elements Angelus Novus, 1920-1926 The Theory of Criticism Categories of Aesthetics On Semblance World and Time According to the Theory of Duns Scotus On Love and Related Matters The Right to Use Force The Medium through Which Works of Art Continue to Influence Later Ages Critique of Violence The Task of the Translator Notes for a Study of the Beauty of Colored Illustrations in Children's Books Riddle and Mystery Outline for a Habilitation Thesis Language and Logic (I-III) Theory of Knowledge Truth and Truths / Knowledge and Elements of Knowledge Imagination Beauty and Semblance The Philosophy of History of the Late Romantics and the Historical School The Meaning of Time in the Moral U
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From the Publisher

Walter Benjamin was one of the most original and important critical voices of the twentieth century, but until now only a few of his writings have been available in English. Harvard University Press has now undertaken to publish a significant portion of his work in definitive translation, under the general editorship of Michael W. Jennings. This volume, the first of three, will at last give readers of English a true sense of the man and the mans' theets of his thought. A separate volume will consist of his book The Arcades Project, the magnum opus of his Paris years.

The writer Walter Benjamin emerged our of the head-on collision of an idealistic youth movement and the First World War, which Benjamin and his close friends thought immoral. He walked away from the wreck scarred yet determined "to be considered as the principal critic of German literature." But the scene as he found it was dominated by "talented fakes," so-to use his words-"only a terrorist campaign would I suffice" to effect radical change. This book offers the record of the first phase of that campaign, culminating with "One-Way Street," one of the most significant products of the German avant-garde of the Twenties. Against conformism, homogeneity, and gentrification of all life into a new world order, Benjamin made the word his sword.

Volume I of the Selected Writings brings together essays long and short, academic treatises, reviews, fragments, and privately circulated pronouncements. Fully five-sixths of this material has never before been translated into English. The contents begin in 1913, when Benjamin, as an undergraduate in imperial Germany, was president of a radical youth group, and take us through 1926, when he had already begun, with his explorations of the world of mass culture, to emerge as a critical voice in Weimar Germany's most influential journals.

The volume includes a number of his most important works, including "Two Poems by Friedrich Hölderlin," "Goethe's Elective Affinities," "The Concept of Criticism in German Romanticism," "The Task of the Translator," and "One-Way Street." He is as compelling and insightful when musing on riddles or children's books as he is when dealing with weightier issues such as the philosophy of language, symbolic logic, or epistemology. We meet Benjamin the youthful idealist, the sober moralist, the political theorist, the experimentalist, the translator, and, above all, the virtual king of criticism, with his magisterial exposition of the basic problems of aesthetics.

Benjamin's sentences provoke us to return to them again and again, luring us as though with the promise of some final revelation that is always being postponed. He is by turns fierce and tender, melancholy and ebullient; he is at once classically rooted, even archaic, in his explorations of the human psyche and the world of things, and strikingly progressive in his attitude toward society and what he likes to call the organs of the collective (its architectures, fashions, signboards). Throughout, he displays a far-sighted urgency, judging the present on the basis of possible futures. And he is gifted with a keen sense of humor. Mysterious though he may sometimes be (his Latvian love, Asia Lacis, once described him as a visitor from another planet), Benjamin remains perhaps the most consistently surprising and challenging of critical writers.

About the Author

Walter Benjamin (1892-1940) was the author of many works of literary and cultural analysis.

Editorial Reviews

Wherever [Benjamin] turned his incisive gaze...the clarity of morning's first light shines forth.