What Was Tragedy?: Theory and the Early Modern Canon

Hardcover | November 1, 2015

byBlair Hoxby

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Twentieth century critics have definite ideas about tragedy. They maintain that in a true tragedy, fate must feel the resistance of the tragic hero's moral freedom before finally crushing him, thus generating our ambivalent sense of terrible waste coupled with spiritual consolation. Yet farfrom being a timeless truth, this account of tragedy only emerged in the wake of the French Revolution.What Was Tragedy? demonstrates that this account of the tragic, which has been hegemonic from the early nineteenth century to the present despite all the twists and turns of critical fashion in the twentieth century, obscured an earlier poetics of tragedy that evolved from 1515 to 1795. Byreconstructing that poetics, Blair Hoxby makes sense of plays that are "merely pathetic, not truly tragic," of operas with happy endings, of Christian tragedies, and of other plays that advertised themselves as tragedies to early modern audiences and yet have subsequently been denied the palm oftragedy by critics. In doing so, Hoxby not only illuminates masterpieces by Shakespeare, Calderon, Corneille, Racine, Milton, and Mozart, he also revivifies a vast repertoire of tragic drama and opera that has been relegated to obscurity by critical developments since 1800. He suggests how many ofthese plays might be reclaimed as living works of theater. And by reconstructing a lost conception of tragedy both ancient and modern, he illuminates the hidden assumptions and peculiar blind-spots of the idealist critical tradition that runs from Schelling, Schlegel, and Hegel, through Wagner,Nietzsche, and Freud, up to modern post-structuralism.

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Twentieth century critics have definite ideas about tragedy. They maintain that in a true tragedy, fate must feel the resistance of the tragic hero's moral freedom before finally crushing him, thus generating our ambivalent sense of terrible waste coupled with spiritual consolation. Yet farfrom being a timeless truth, this account of t...

Blair Hoxby is an Associate Professor of English at Stanford University. After graduating with an A. B. from Harvard University, he studied at Oxford University as a Rhodes Scholar. He then earned his Ph.D. from Yale University. Before coming to Stanford, he was an Associate Professor of English at Yale and an Associate Professor of H...

other books by Blair Hoxby

Format:HardcoverDimensions:384 pages, 9.21 × 6.14 × 0.01 inPublished:November 1, 2015Publisher:Oxford University PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0198749163

ISBN - 13:9780198749165

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Table of Contents

The Philosophy of the Tragic and the Poetics of Tragedy1. Our Tragic Culture2. An Early Modern Poetics of TragedyThe World We Have Lost3. Simple Pathetic Tragedy4. Operatic Discoveries5. Counter-Reformation Tragedy6. History as Tragedy, Tragedy as DesignBibliography