Women, Poetry, and Politics in Seventeenth-Century Britain

Hardcover | March 26, 2015

bySarah C. E. Ross

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Women, Poetry, and Politics in Seventeenth-Century Britain offers a new account of women's engagement in the poetic and political cultures of seventeenth-century England and Scotland, based on poetry that was produced and circulated in manuscript. Katherine Philips is often regarded as thefirst in a cluster of women writers, including Margaret Cavendish and Aphra Behn, who were political, secular, literary, print-published, and renowned. Sarah C. E. Ross explores a new corpus of political poetry by women, offering detailed readings of Elizabeth Melville, Anne Southwell, JaneCavendish, Hester Pulter, and Lucy Hutchinson, and making the compelling case that female political poetics emerge out of social and religious poetic modes and out of manuscript-based authorial practices. Situating each writer in her political and intellectual contexts, from early covenanting Scotland to Restoration England, this volume explores women's political articulation in the devotional lyric, biblical verse paraphrase, occasional verse, elegy, and emblem. For women, excluded from thepublic-political sphere, these rhetorically-modest genres and the figural language of poetry offered vital modes of political expression; and women of diverse affiliations use religious and social poetics, the tropes of family and household, and the genres of occasionality that proliferated inmanuscript culture to imagine the state. Attending also to the transmission and reception of women's poetry in networks of varying reach, Sarah C. E. Ross reveals continuities and evolutions in women's relationship to politics and poetry, and identifies a female tradition of politicised poetry inmanuscript spanning the decades before, during, and after the Civil Wars.

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Women, Poetry, and Politics in Seventeenth-Century Britain offers a new account of women's engagement in the poetic and political cultures of seventeenth-century England and Scotland, based on poetry that was produced and circulated in manuscript. Katherine Philips is often regarded as thefirst in a cluster of women writers, including ...

Sarah C. E. Ross is Senior Lecturer in English at the Victoria University of Wellington. She is the editor of Katherine Austen's Book M: British Library, Additional Manuscript 4454 (ACMRS, 2011), and the author of numerous articles and chapters on early modern women's writing and manuscript culture.

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Editing Early Modern Women
Editing Early Modern Women

Kobo ebook|Jul 21 2016

$80.89 online$104.99list price(save 22%)
Format:HardcoverDimensions:272 pages, 8.5 × 5.43 × 0.87 inPublished:March 26, 2015Publisher:Oxford University PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0198724209

ISBN - 13:9780198724209

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Table of Contents

Introduction: She thinks not on the state?1. 'The right vse of Poesie': Elizabeth Melville's religious verse and Scottish Presbyterian politics2. 'Thou art the nursing father of all pietye': sociality, religion, and politics in Anne Southwell's verse3. 'When that shee heard the drums and cannon play': Jane Cavendish and occasional verse4. 'This kingdoms loss': Hester Pulter's elegies and emblems5. 'I see our nere, to be reentered paradice': Lucy Hutchinson's 'Elegies' and Order and DisorderConclusions