Working Girls: Fiction, Sexuality, and Modernity

Hardcover | June 4, 2016

byKatherine Mullin

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Working Girls: Fiction, Sexuality, and Modernity investigates the significance of a new form of sexual identity at the end of the nineteenth and beginning of the twentieth century. Young women of the lower-middle and working classes were increasingly abandoning domestic service in favour ofoccupations of contested propriety. They inspired both moral unease and erotic fascination. Working Girls considers representations of four highly glamorised yet controversial types of women worker: telegraphists and typists (in newly-feminised offices), shop assistants (in the new departmentstores), and barmaids (in the new "gin palaces" of major British cities).Economically emancipated (more or less) and liberated (more or less) from the protection and constraints of home and family, shop-girls, barmaids, typists, and telegraphists became mass media sensations. They energised a wide range of late-Victorian and Modernist fiction. This study will bringlate-Victorian and Modernist British writers into intimate conversation with a substantial new archive of ephemeral sources often regarded as remote from high art and its concerns: popular fiction; music hall and musical comedy; beauty pageants and fairground exhibitions; visual art and early film;careers manuals; magazine and periodical journalism; moral reform crusades, Royal Commissions, and attempts at protective legislation. Working Girls argues that these seductive yet perilous young women helped writers negotiate anxieties about the state of literary culture in the United Kingdom. Crucially, they preoccupy novelists who were themselves beleaguered by anxieties over cultural capital, the shifting pressures of theliterary marketplace, or controversies about the morality of fiction (often leading to the threat of censorship). In articulating questions about sexual integrity, Working Girls articulate often submerged questions about textual integrity and the role of the modern novel.

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Working Girls: Fiction, Sexuality, and Modernity investigates the significance of a new form of sexual identity at the end of the nineteenth and beginning of the twentieth century. Young women of the lower-middle and working classes were increasingly abandoning domestic service in favour ofoccupations of contested propriety. They inspi...

Katherine Mullin lectures in Victorian and Modern Literature at the University of Leeds. She is the author of James Joyce, Sexuality and Social Purity (Cambridge University Press, 2003), and articles on Modernism, late-Victorian fiction, and censorship. She is currently working on an edition of George Gissing's New Grub Street for Oxfo...

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James Joyce, Sexuality and Social Purity
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Format:HardcoverDimensions:288 pages, 9.21 × 6.14 × 0.01 inPublished:June 4, 2016Publisher:Oxford University PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0198724845

ISBN - 13:9780198724841

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Table of Contents

Introducing the Working GirlPart I: Typists and Telegraphists1. 'Work they could do so adroitly': competent or compromised?2. Authorial integrity and the threat of mechanical writingPart II: Shop-girls3. 'The ubiquitous shop-girl': the thrills and perils of selling4. The literary marketplace and rebellions against commercePart III: Barmaids5. 'Essentially a modern institution': framing the New Barmaid6. Censorship and the challenge to the Young PersonAfterwordWorks Cited