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This revised guide to silent film studies contains two new chapters that present an analysis of color technology and aesthetics. They look at how silent films are saved, restored and made accessible via archives. Aided by new material, this book is a…

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Carrie Tarr's analysis of the cinema of Diane Kurys is the first full-length study of this director, whose delightfully unsentimental reconstructions of the lives of girls and women in post-war France have established her as a distinctive presence in…

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Welcome to Dark City , urban landscape of the imagination. A place where the men and women who created film noir often find themselves dangling from the same sinister heights as the silver-screen avatars to whom they gave life. Eddie Muller, who led readers on a…

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Steven Spielberg once said, "I like ideas, especially movie ideas, that you can hold in your hand. If a person can tell me the idea in twenty-five words or less, it's going to make a pretty good movie." Spielberg's comment embodies the essence of the high…

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The first broad-ranging collection on Deleuze’s essential works on cinema. In the nearly twenty years since their publication, Gilles Deleuze’s books about cinema have proven as daunting as they are enticing—a new aesthetics of film, one equally…

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Memories that evoke the physical awareness of touch, smell, and bodily presence can be vital links to home for people living in diaspora from their culture of origin. How can filmmakers working between cultures use cinema, a visual medium, to transmit that…

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Placing Deleuze's two books on cinema - The Movement-Image and The Time-Image - in the context of French cultural theory of the 1960s and 1970s, Rodowick examines the logic of Deleuze's theories and their relationship to his influential philosophy of…

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During the 1967 festival of Latin American Cinema in Viña del Mar, Chile, a group of filmmakers who wanted to use film as an instrument of social awareness and change formed the New Latin American Cinema. Nearly three decades later, the New Cinema has…

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Ten popular and acclaimed film directors whose film careers began in front of the cameras candidly offer their insights into the all-important and generally underexplored subject of directing actors. Each actor/director discusses filmmaking as observed from and…

Luc Besson

by Susan Hayward

|March 15, 1998

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One of the hottest international properties to come out of the new wave of French filmmakers in the 1980s, Luc Besson is a director with a simple mission and a dazzling visual style. One of the most respected names in French film studies, Susan Hayward, sketches…

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Documents in Canadian Film is a collection of readings about the past, present and future of Canadian cinema. It deals with French as well as English language films - and the links and tensions between the two. It focuses on experimental as well as narrative and…

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In the first comprehensive, theoretically informed work in English on Quebec cinema, Marshall views his subject as neither the assertion of some unproblematic national wholeness nor a random collection of disparate voices that drown out or invalidate the question…