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Disinformation in Mass Media: Gluck, Piccinni and the Journal de Paris

Beverly Jerold Paperback

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Gregorio Ballabene's Forty-eight-part Mass for Twelve Choirs (1772

Florian Bassani Paperback

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The Pre-history of 'The Midsummer Marriage': Narratives and Speculations

Roger Savage Paperback

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Felice Giardini And Professional Music Culture In Mid-eighteenth-century London

Cheryll Duncan Paperback

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Music, Books and Theatre in Eighteenth-Century Exton: A Context for Handel's 'Comus'

Colin Timms Hardcover

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The Malmariee in the Thirteenth-Century Motet

Dolores Pesce Hardcover

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Authorship and Identity in Late Thirteenth-Century Motets

Catherine A. Bradley Paperback

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Music, Books and Theatre in Eighteenth-Century Exton: A Context for Handel's 'Comus'

Colin Timms Hardcover

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Music Theory in Late Medieval Avignon: Magister Johannes Pipardi

Karen M. Cook Paperback

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The 'ars Musica' Attributed To Magister Lambertus/aristoteles

translatedbyKaren Desmond Hardcover

$266.50

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Return to Riemann: Tonal Function and Chromatic Music

J. P. E. Harper-Scott Hardcover

$96.50

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Return to Riemann: Tonal Function and Chromatic Music

J. P. E. Harper-Scott Hardcover

$96.50

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Disinformation in Mass Media: Gluck, Piccinni and the Journal de Paris

Gregorio Ballabene's Forty-eight-part Mass for Twelve Choirs (1772

The Pre-history of 'The Midsummer Marriage': Narratives and Speculations

Felice Giardini And Professional Music Culture In Mid-eighteenth-century London

Music, Books and Theatre in Eighteenth-Century Exton: A Context for Handel's 'Comus'

The Malmariee in the Thirteenth-Century Motet

Authorship and Identity in Late Thirteenth-Century Motets

Music, Books and Theatre in Eighteenth-Century Exton: A Context for Handel's 'Comus'

Music Theory in Late Medieval Avignon: Magister Johannes Pipardi

The 'ars Musica' Attributed To Magister Lambertus/aristoteles

Return to Riemann: Tonal Function and Chromatic Music

Return to Riemann: Tonal Function and Chromatic Music

Royal Musical Association Monographs

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Disinformation in Mass Media: Gluck, Piccinni and the Journal de Paris

Gregorio Ballabene's Forty-eight-part Mass for Twelve Choirs (1772

The Pre-history of 'The Midsummer Marriage': Narratives and Speculations

Felice Giardini And Professional Music Culture In Mid-eighteenth-century London

Music, Books and Theatre in Eighteenth-Century Exton: A Context for Handel's 'Comus'

The Malmariee in the Thirteenth-Century Motet

Authorship and Identity in Late Thirteenth-Century Motets

Music, Books and Theatre in Eighteenth-Century Exton: A Context for Handel's 'Comus'

Music Theory in Late Medieval Avignon: Magister Johannes Pipardi

The 'ars Musica' Attributed To Magister Lambertus/aristoteles

Return to Riemann: Tonal Function and Chromatic Music

Return to Riemann: Tonal Function and Chromatic Music